Words like Thunder: New and Used Anishinaabe Prayers
(eBook)

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Published
Wayne State University Press, 2020.
Format
eBook
ISBN
9780814347492
Status
Available Online

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Language
English

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Citations

APA Citation, 7th Edition (style guide)

Lois Beardslee., & Lois Beardslee|AUTHOR. (2020). Words like Thunder: New and Used Anishinaabe Prayers . Wayne State University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Lois Beardslee and Lois Beardslee|AUTHOR. 2020. Words Like Thunder: New and Used Anishinaabe Prayers. Wayne State University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Lois Beardslee and Lois Beardslee|AUTHOR. Words Like Thunder: New and Used Anishinaabe Prayers Wayne State University Press, 2020.

MLA Citation, 9th Edition (style guide)

Lois Beardslee, and Lois Beardslee|AUTHOR. Words Like Thunder: New and Used Anishinaabe Prayers Wayne State University Press, 2020.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID9caeeefe-1812-5dd4-aa87-8714e138dcd7-eng
Full titlewords like thunder new and used anishinaabe prayers
Authorbeardslee lois
Grouping Categorybook
Last Update2024-05-14 23:01:43PM
Last Indexed2024-06-01 02:41:19AM

Book Cover Information

Image Sourcehoopla
First LoadedOct 24, 2023
Last UsedOct 24, 2023

Hoopla Extract Information

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    [synopsis] => Words like Thunder: New and Used Anishinaabe Prayers is a collection of poetry by award-winning Ojibwe author Lois Beardslee. Much of the book centers around Native people of the Great Lakes but has a universal relevance to modern indigenous people worldwide. Beardslee tackles contemporary topics like climate change and socioeconomic equality with a grace and readability that empowers readers and celebrates the strengths of today's indigenous peoples. She transforms the mundane into the sacred. Similar in style to Nikki Giovanni, Beardslee might lure in readers with the promise of traditional cultural material, even stereotypes, before quickly pivoting toward a direction of respect for the contemporaneity and adaptability of indigenous people's tenacious hold on traditions.

Made up of four sections, the book is like a piece of artwork. Parts of the word-canvas are quiet so the reader can rest and other parts lead the reader quickly from one place to another, while always maintaining eye contact. More than anything, Beardslee emphasizes the notion that indigenous peoples are competent and wonderful, worthy of praise, and whose modernity is a function of their survival. She writes unapologetically with a strong ethnic identity as a woman of color who witnessed and experienced community loss of resources that defined her culture. Her stories transcend generations, time, and geographical boundaries-varying in voice between first person or that of her elders or children-resulting in a collective appeal.

Beardslee continues to break the mold and push the boundaries of contemporary Native American poetry and prose. This book will appeal to a general readership, to people who want to learn more about indigenous peoples of the Great Lakes, and to people who care about the environment and socioeconomic equality. Even young readers, especially students of color, will find parts of this book to which they can relate.
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