Gay: The Beggar's Opera
(eVideo)

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Published
Naxos, 2022.
Format
eVideo
Status
Available Online

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Physical Description
1h 58m 0s
Language
English

Citations

APA Citation, 7th Edition (style guide)

Robert Burt., Robert Burt|ACTOR., Beverley Klein|ACTOR., Kate Batter|ACTOR., Benjamin Purkiss|ACTOR., Kraig Thornber|ACTOR., Olivia Brereton|ACTOR., Emma Kate Nelson|ACTOR., Sean Lopeman|ACTOR., Les Arts Florissants|ACTOR., William Christie|ACTOR., Robert Carsen|DIRECTOR., Francois Roussillon|DIRECTOR., & John Gay|WRITER. (2022). Gay: The Beggar's Opera . Naxos.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Robert Burt et al.. 2022. Gay: The Beggar's Opera. Naxos.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Robert Burt et al.. Gay: The Beggar's Opera Naxos, 2022.

MLA Citation, 9th Edition (style guide)

Robert Burt, et al. Gay: The Beggar's Opera Naxos, 2022.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouping Information

Grouped Work ID3b3a72c3-8348-6cce-f29f-a23f93c2fb30-eng
Full titlegay the beggars opera
Authorburt robert
Grouping Categorymovie
Last Update2024-05-14 23:01:43PM
Last Indexed2024-05-16 00:42:39AM

Hoopla Extract Information

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    [synopsis] => Written by John Gay in 1728, The Beggar's Opera is widely considered to be the first musical comedy, and one that preempted by about 300 years the current vogue for "jukebox" productions, which create a plot to fit around hit songs. Gay took some of the best-known tunes of his day, both classical and popular, and worked them into a savagely satirical tale set amongst London's thieves, pimps and prostitutes. Wildly popular from its first performance, The Beggar's Opera has been the basis for numerous stage, musical and cinematic adaptations ever since. It explores a cynical world where capitalist greed, crime and social inequality are the norm. Robert Carsen's new take on this classic is indeed "A brilliant tour de force between baroque and modernity" (Libération).
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