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"If evolutionary biologists, ethical philosophers, and social media gurus are to be believed, the face is the basis for what we call "humanity." The face is considered the source of identity, truth, beauty, authenticity, and empathy. It underlies our ideas about what constitutes a human, how we relate emotionally, what is pleasing to the eye, and how we ought to treat each other. But all of this rests on a specific image of the face. We might call...
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In her prize-winning debut, Mexican essayist Mariana Oliver trains her gaze on migration in its many forms, moving between real cities and other more inaccessible territories: language, memory, pain, desire, and the body. With an abiding curiosity and poetic ease, Oliver leads us through the underground city of Cappadocia, explores the vicissitudes of a Berlin marked by historical fracture, recalls a shocking childhood exodus, and recreates the intimacy...
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A book-length essay on beauty and revolution as seen through the work of Jean-Luc Godard.
As Joanna Walsh watches the films of Jean-Luc Godard, she considers beauty and desire in life and art. "There's a resistance, in Godard's women," writes Walsh, "that is at the heart of his work (and theirs)." She is captivated by the Paris of his films and the often porous border between the city presented on screen and the one she inhabited herself. With cool...
4) Aftermath
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Usman Khan was convicted of terrorism-related offenses at age 20, and sent to high security prison. He was released eight years later, and allowed to travel to London for one day, to attend an event marking the fifth anniversary of a prison education program he participated in. On November 29, 2019, he sat with others at Fishmongers' Hall, some of whom he knew. Then he went to the restroom to retrieve the things he had hidden there: a fake bomb vest...
5) Lecture
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English
Description
In twenty-first century America, there is so much that holds or demands our attention without requiring it. Imagine the lecture as a radical opening.
Mary Cappello's Lecture is a song for the forgotten art of the lecture. Brimming with energy and erudition, it is an attempt to restore the lecture's capacity to wander, question, and excite. Cappello draws on examples from Virginia Woolf to Mary Ruefle, Ralph Waldo Emerson to James Baldwin, and blending...
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