Who Owns This Sentence?: A History of Copyrights and Wrongs
(eAudiobook)

Book Cover
Average Rating
Published
Tantor Media, Inc., 2024.
Format
eAudiobook
ISBN
9798855505115
Status
Available Online

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Physical Description
11h 7m 0s
Language
English

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Citations

APA Citation, 7th Edition (style guide)

David Bellos., David Bellos|AUTHOR., Alexandre Montagu|AUTHOR., & David Bellos|READER. (2024). Who Owns This Sentence?: A History of Copyrights and Wrongs . Tantor Media, Inc..

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

David Bellos et al.. 2024. Who Owns This Sentence?: A History of Copyrights and Wrongs. Tantor Media, Inc.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

David Bellos et al.. Who Owns This Sentence?: A History of Copyrights and Wrongs Tantor Media, Inc, 2024.

MLA Citation, 9th Edition (style guide)

David Bellos, David Bellos|AUTHOR, Alexandre Montagu|AUTHOR, and David Bellos|READER. Who Owns This Sentence?: A History of Copyrights and Wrongs Tantor Media, Inc., 2024.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouping Information

Grouped Work ID414e7a0e-c1d2-8797-162f-368ba5623cba-eng
Full titlewho owns this sentence a history of copyrights and wrongs
Authorbellos david
Grouping Categorybook
Last Update2024-06-22 10:35:23AM
Last Indexed2024-06-22 10:41:19AM

Book Cover Information

Image Sourcesyndetics
First LoadedJan 19, 2024
Last UsedJun 23, 2024

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    [synopsis] => Copyright is everywhere. Your smartphone incorporates thousands of items of intellectual property. Someone owns the reproduction rights to photographs of your dining table. At this very moment, battles are raging over copyright in the output of artificial intelligence programs. Not only books but wallpaper, computer programs, pop songs, cartoon characters, snapshots, and cuddly toys are now deemed to be intellectual properties-making copyright a labyrinthine construction of laws with colorful and often baffling rationales covering almost all products of human creativity.

It wasn't always so. Copyright has its roots in eighteenth-century London, where it was first established to limit printers' control of books. But a handful of little-noticed changes in the late twentieth century brought about a new enclosure of the cultural commons, concentrating ownership of immaterial goods in very few hands. Copyright's metastasis can't be understood without knowing its backstory, a long tangle of high ideals, low greed, opportunism, and word-mangling that allowed poems and novels (and now, even ringtones and databases) to be treated as if they were no different from farms and houses. Principled arguments against copyright arose from the start and nearly abolished it in the nineteenth century. Nonetheless, countless revisions have made copyright ever stronger.
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